A: Full-steam-ahead, most anticipated shows:
CSI: NY: Is definitely the show I most look forward to every week. With the exception of Sid and Adam, I really love all the characters, which is a rarity for a show with an ensemble cast. There's a bit of humor tucked here and there amid the overall serious storyline, and the cases are...oh, all right. I love this show because it has two relationships going on at once. Two! That's double the chances for cute scenes! Factor in Reed, and you have another shot at emotion and character development. And then, of course, there is Flack, who merely has to enter a scene to make me happy.
Lost: Currently my second-favorite show on the air. They WOULD have to face-off for a timeslot...thank goodness for online streaming. I don't know exactly what makes it so entertaining, especially given how much I dislike several of the characters, but every week I'm glued to the screen, wondering what twists we're going to see with the Others. Well, that and Sawyer. Sawyer is to this show what Flack is to the one above. In addition to him, I guess Sayid, Kate, Charlie, Claire, and Danielle Rousseau are enough to make up for the ones I don't like. I even like Jack, I think, provided he only has small scenes and is not starring in flashbacks.
CSI: GSR is back full-time. Yay! In addition to that, I think the MCSK storyline is quite possibly the most fascinating arc this show has ever done. And even outside those two things, every episode is almost cinematic in quality, lovely works of art. I'm generally captivated from start to finish.
Standoff: This is only still here because that's where it was last time I did SotN, and we haven't seen a new episode since then. If you've forgotten what I said last time, it was basically "because in every episode, I'm guaranteed to see some sort of Cute Scene." That's a huge plus on a crime show. And I do rather like watching them do their jobs, I suppose.
A/B: Not perfect, but still quite good:
NCIS: You're slipping, NCIS, thanks to the incessant use of outside love interests. I don't mind your characters being involved in romantic entanglements (because your show's focus is on crime, not personal stuff), but I'd prefer that they be with one another instead of outside love interests, and preferably only one 'ship at a time. Maybe if the cases were slightly more interesting, and the bodies just less GROSS, my interest would return? I'm sure I'll come running back soon as Grenouille rears its head again, because I must admit that's a really good arc.
ER: John Stamos, you have single-handedly saved ER. Well, you and that adorable little girl playing your daughter. Still, the last time I loved a new doctor so completely was when they introduced Neela. I still think this is the best medical show out there when it comes to somewhat realistic portrayal of real life. The doctors on Grey's and House are shiny, glossy, occasionally almost parody characters; the ER docs have heart.
Law & Order: SVU: An increased focus on Elliot & Olivia’s personal lives has swung it up a point in my favor. That, and these are generally some of the most interesting cases in all my crime shows. I actually care about the victims.
Survivor: Because it is honestly still the most entertaining reality show on television. Even when it’s having a slow season, I like the format. I like the exotic location and the random physical challenges
B: Consistently above average, but not stellar
Grey's Anatomy: Is not getting any higher until it learns that "the triangle is not a friendly shape, okay? It's pointy, it's got sharp edges. Triangles hurt people." So do squares, so no love rhombuses either. I would love for this show to focus just a tiny bit more on, um, actual medicine and possibly on interpersonal, non-romantic relationships too. Also, MORE BAILEY.
Bones: Down a notch because Sully is harshing my style, and so are Zack’s short hair and Jack & Angela’s progression from puppy love to Grey’s Anatomy-style relationship. Mostly the last one. Maybe I'd be in a better mood if Booth had more scenes. Scenes he didn't have to share with
House: I feel like it's at a tipping point, where it could get better any day...and of course, any scenes with Cuddy or Wilson are pure gold, as is House's sarcastic wit...but for now, I'm too disinterested in the ducklings to care. Also, the show is still much too fond of the "bleeding from every orifice" symptom in the patients, which grosses me out.
Without a Trace: It’s improving a little bit. Last week's debacle aside, the cases have been much more interesting lately, and I think they've given up on their Office Slut
B/C: Fair to middling
Numb3rs: “Because it's not *consistent.* It's usually pretty good, but when it has a bum episode, man, it crashes.” Opinion hasn't changed on that end, but it's sinking lower and lower in my favor the longer Millie has a starring role. Look, I love the actress, but I just don't think her character needs to be in 50% of every episode. I miss Larry. And I have a feeling that pretty soon I'll be missing Megan.
Cold Case: I still have to poke and prod myself to get off the computer and go over to the TV on Sunday nights. The ensemble cast here is likable, but nobody stands out as particularly awesome (with the possible exception of Kat Miller, who has inexplicably become my favorite). While I like the format, with music from the case time period playing throughout the flashback scenes, the cases generally tend to be hit-or-miss. Mostly miss.
CSI Miami: Improved a notch, mostly by focusing in on character development for Eric, but overall...still BY FAR the worst season it's ever had. Cases are crap, gaudy and without substance; I'm still waiting for Horatio to resume his center-stardom role (in terms of personal storyline, anyway), because he's the best thing about this show (when he's not playing with his sunglasses and/or posing obnoxiously) and it still grates on my nerves that Natalia has been upgraded to full-time CSI.
C: Half and half
Simpsons: Even though there’s nothing else on in this timeslot, I generally can’t be arsed to turn on the TV and watch the new eps. Daily reruns, hilarious and entertaining as ever, but it doesn't seem worth it to make sure I catch that single new half-hour.
American Idol: It's kind of hard to resist the temptation to watch it when EVERYONE around you is talking and/or writing about it, including your mother, but on my own? I could care less about hearing people sing, at least when they're singing non-current music. I have very little love for classic rock, oldies (if sung by anyone other than the original artist), music like MoTown, Aretha Franklin...let's just say I have a very limited genre appreciation in general. I will never, ever be one of those people who, when asked their favorite genre of music, says "I'll listen to pretty much anything."
Law & Order: CI: This is a literal half-n-half - I only watch it on weeks when Bobby Goren is not present. And even then, only if nothing else is on and I'm feeling a need to see crimes solved, hence why I don't write about it on a weekly basis. It's entertaining fare, but one which I have no real desire to discuss in depth.
D: Watch yourself, there’s an axe…
How I Met Your Mother: I still like it in theory, but I can’t bring myself to watch it until Robin’s dogs are back (which I realize will probably never happen). Really - that completely ruined the show for me. I have no desire to watch new episodes at all.
Law and Order: Because I rather dread the idea of watching its dry dullness and lack of character-development coupled with Alana de la Garza’s horrible short hair. I like the young female detective (whose name I apparently never learned), but she's not enough. You know it's bad when you can watch 40 minutes and then decide to turn it off without even caring how it ends.
F: Dear God, kill me yesterday
Til Death: It just…stopped being funny. I was right, Jeff & Steph are completely one-dimensional, and they’ve run out of storylines. The glory day of the FOX comedy is quite over.
Two and a Half Men: Apparently they got rid of Rose during one of those weeks I couldn’t be arsed to watch, which is too bad, because she was one of the best things about it. I’m tired of the dirty jokes. I really am.
New Adventures of Old Christine: If you live and "The Class" dies, ungood things will happen. I stopped laughing at anything months ago, and now I kind of want you to go off the air, no matter how much I love Julia Louis-Dreyfus. The characters are too much like real life (read: unattractive, with the notable exception of Christine herself) to appeal to me anymore.